The blood on his fingers turned black and splash each drawing EKO like a bad dream from which we do not want to wake up. Goya, the inspiration for the black in the black world of EKO, said that the dream of reason produces monsters. EKO's monsters are not dreams, ourselves. We recognize in every stroke of EKO and away to condemn, are in the perfection of its line of compassion that is denied us by the rest of the world, that perfection is a pity that Art is for us . EKO is a nomad in his career he has published in the pages of the newspapers of New York, Paris, Frankfurt, San Francisco, California, Miami, Havana and Mexico City of course, has permeated with pornographic drawings to spaces much purer and then the scandal broke. In the pornographic EKO is not violence, is form, is language, as Octavio Paz precisdebe have something more than scratches and bites on the work of EKO. Vlady Bartoly teachers, also sensed that promise and tried to tame it with heavy doses of Durer and Rembrandt, turning the perverted into a virtuoso. Sade has Justine, EKO has publicdurante Denisse that two years in the supplementation Saturday and we have those images in to tell us how terrible it is beautiful. The line of down and deepens EKO, research where the reason not to enter in the passion that makes us see a body that has no remorse.
Mexico
